AFS 2023 WEBSITE IMAGES (7 × 5 in) (2).jpg

Old-Time & Gee's Bend 2023

Join us for our annual Old-Time weekend where quilters and blacksmiths pursue their work while music students fully immerse themselves in old-time classes, their days and nights filled with instruction from expert musicians, jam sessions, and an instructor concert. This year's lineup includes classes with the Onlies, Nokosee Fields, and the return of Jeff Claus and Judy Hyman of the Horseflies! Afternoon mini classes give all participants a chance to take part in learning something totally new. With more than 1,140 acres of forest consisting of breathtaking canyons, waterfalls, miles of hiking trails, and glistening streams, there’s plenty of exploring to do during your free time. Take a hike, go canoeing, or pick a porch and rocking chair to relax.



Mini Classes: Students will also have the opportunity to participate in mini-classes. These offerings do not require registration, but you may want to bring an instrument. This year we're offering:

  • Ukulele & Harmony Singing with Jamie Finley and Kathy Hinkle: I have discovered from four years of leading a weekly uke group that it is surprisingly easy to learn to play uke and sing at the same time. Also it is great fun. Kathy Hinkle will be helping with the singing and harmony part. We will probably do something from the Carter Family or maybe Hank Williams. I have a half dozen ukes if you don't have one already. It doesn't matter if you have never played a ukulele, you gotta start somewhere.
  • Intro on Mountain Dulcimer with Laurie Alsobrooks: Laurie Alsobrook will bring her fishing cart filled with mountain dulcimers for you to try. We'll learn our way around the fretboard while playing a few familiar tunes. Playing the mountain dulcimer is earlier than you think...and more fun than you could imagine!
  • "Take Home an Alabama Fiddle Tune (or Two)" with Jim Holland and Jim & Joyce Cauthen: Students will bring their instruments to class and leave knowing how to play a tune from one of Alabama's great fiddlers of older days. In Class 1 Jim Holland will teach one his grandfather's tunes from Limestone County and in Class 2 Jim and Joyce Cauthen will share a favorite tune from their state-wide collection.
  • Beginner Bass with Andrew Nelson: This class is geared toward the absolute beginner, and we’ll provide the basses! We’ll cover the basic playing techniques and rhythm needed to play old-time bass and establish a foundation you can use to practice and learn on your own after leaving the folk school.

Tutoring Sessions: Old-Time fiddler Jimmy Triplett will be available on Friday and Saturday afternoons for 30-minute tutoring sessions. These can be one-on-one or small groups of friends who opt to sign up together. In these sessions, Jimmy can help with fiddle technique (including bowing), fine-tuning a tune-in-progress, or learning a new tune. Jimmy specializes in fiddle tunes from Alabama and West Virginia.

Tuition & Lodging: All music classes are $255.00. Quilting and other craft classes are $275.00. Total registration cost is dependent on your choice of lodging:

  • Lodge room for one: $420.00
  • Lodge room for two: $550.00
  • Cabin bed for one: $145.00
  • Commuter fee: $75.00

image (1).png

Banjo I with Riley Calcagno

This is your Old time Banjo 100 course, covering the basics of old time banjo! We will focus on right hand techniques that make the clawhammer style what it is. We may also explore some simple 2 and 3 finger playing if the class is interested. Together we will listen to and analyze masters of now and then as we pursue the goal of uplifting old-time stringbands both rhythmically and harmonically. Students will walk away with several tunes that provide examples of how to outline melodies and an understanding of a banjo’s role in a band. The goal will be to emerge from the week with the technical tools to tackle banjo playing opportunities with ease, fun, and groove.

Riley Calcagno is a fiddle, banjo, and guitar player, originally from Seattle, Washington. He grew up going to fiddle festivals and camps on the west coast, where he soaked up old-time music as he ran amongst jams and learned from older masters of the style. At age 7, he co-founded The Onlies, a stringband that is somehow still playing and performing together. In 2018, the band released a collaborative record with mentors and friends John Herrmann and Meredith McIntosh as the band The Ruglifters. Riley also plays in a duo with guitar player and singer, Vivian Leva. They released a critically acclaimed album of original songs on Free Dirt Records in 2021. Riley is an experienced teacher and has a passion and patience for passing along tradition and technique. He currently resides in Durham, North Carolina.


Banjo II with Leo Shannon

Banjo II will explore the music of Morgan Sexton (1911-1991), a banjo player from Letcher County, Kentucky who only became widely known late in life for his ancient, mournful, and wholly unique approach to melody. We will listen to his music intensively, think about it together and learn to play some of it. For the interested, there are many videos of Morgan available on the Appalshop Archive youtube channel:

Leo Shannon is a traditional musician and archivist from Seattle, Washington who currently lives in Whitesburg, Kentucky. He learned to play as a boy from older musicians around him and from friends his own age. Since age 7, he has played as part of a group of friends called The Onlies, who continue to travel the country performing old time music. He is drawn to old music that has passed through many hands, and to the ghostly imprints left on traditional music by sound reproduction technologies.


Guitar with Vivian Leva

Old-Time Rhythm Guitar and Vocal Accompaniment- The stuff that matters: boom, chuck, driving the jam, and cracking the code on tunes you’ve never heard. We will explore the sheer power of the right hand, how to follow new tunes and songs, and what it takes to be the grounding and driving force of any jam or performance. We will also work on backing up old-time, country, and bluegrass songs. Come sing, play, have some fun, and improve your rhythm guitar skills!

Vivian Leva was born and raised in Lexington, Virginia by respected old-time musicians James Leva and Carol Elizabeth Jones. She spent all of her summers at regional fiddlers conventions and camps developing her singing, songwriting, and guitar playing from a young age. Since 2016, she has toured across the U.S. with her old time stringband, The Onlies, and has performed across the U.S., Canada, and U.K. with her duo Vivian Leva & Riley Calcagno. She has also released two albums of original music to critical acclaim. Along the way, Vivian has taught at camps across North America including Nimblefingers, Fiddle Tunes, and Big Sur Fiddle Camp. She currently resides in Durham, NC.


Fiddle I with Sami Braman

In Fiddle I, we will dive into a couple of my favorite fiddle tunes and use them as a vehicle to work on rhythmic bowing, groove, and other stylistic intricacies. I will teach you a couple of recommended bowing patterns for the tunes as well as coping strategies for the inevitability of getting turned around (which can often result in something exciting)! We can also dip our toes into ornamentation, double stops, and tone. As an old-time fiddler I think it is essential to be able to establish a strong rhythmic groove instead of relying on other instruments in a jam, like banjo or guitar, to establish it for you. We will work on specific techniques to help build that confidence in bowing and leading tunes. I am excited to engage in a conversation about this fiddle tradition as well as play tunes with all of you!

Sami Braman has been playing the fiddle since she was 6 years old, coming up amid the music festivals and jamming communities of the Pacific Northwest’s vibrant traditional old-time music scene. At 8 she and her long-time musical buddies Leo Shannon and Riley Calcagno formed The Onlies, which plays at festivals and gigs around the country and whose traditional old-time sound they further refined in 2016 with the addition of acclaimed folk musician Vivian Leva. They won the Clifftop Traditional Stringband Contest in 2017, and again in 2019 as "The Ruglifters." Sami is a buoyant, intuitive, and versatile fiddler who values deep understanding of the stories behind the tunes and seeks inspiration from historically marginalized artists.

Sami now teaches and performs across the U.S., primarily with The Onlies and Willie Watson. She has appeared on stage alongside Watchhouse, Laurie Lewis, Bruce Molsky, Elvis Costello, Darol Anger, and Pharis & Jason Romero. In her tune-writing, Sami melds creativity with tradition, producing a number of tunes which have made their way into festival sessions across the country. In her teaching, she brings positive engagement and a high standard that encourages and challenges students. Sami recently moved to Nashville, TN, to pursue music full-time. In April 2023 she released a solo album of original fiddle tunes, co-produced by herself and Brittany Haas. To all her projects Sami brings joyful energy, a driving bow, and an abiding love for the traditional music community which formed her.


Fiddle II with Nokosee Fields

This class will cover posture, technique and bowing in relation to old time fiddling. We will listen to source material to strengthen our listening skills as well as learn tunes as a vehicle to explore the subtleties of the technique behind a strong and established old time fiddle groove. The aim will be for students to take away information so they can continue to work on their own and explore the individual work ethic required to make a competent sound.

The great nephew of celebrated Cherokee fiddler Sam O’Fields, Nokosee carries a longstanding Cherokee fiddling tradition into the present. Through powerful live and recorded performances, he lovingly and playfully reimagines his tradition with immense skills and sensitivity as a performer of traditional fiddle music. His prowess has not gone unnoticed: He’s won some of the most prestigious contests in the United States and has performed and taught at flagship festivals and workshops. His recent DIY sourcerror project, released anonymously online, delivers compelling, fresh interpretations of older North American fiddle repertoire. Besides garnering critical acclaim and solidifying his reputation as a leading fiddler and interpreter in the traditional music scene, the project explores the relationships between the archive and embodied performance, using lo-fi audio technologies to critique histories of anthropological field recording practice and the tendency of contemporary roots music industry to fetishize the past. Building off of the sourcerror project, he obtained grant funding to record an album of rare Indigenous, Black, and white fiddle repertoire from North America with his band BOOJUM. Beyond his fiddling, he works as a touring musician, playing bass in the country band Western Centuries and in top-tier Old-time bands Hard Drive and the Onlies. An in-demand recording artist and performer, he has recorded and worked alongside some of the most well-known artists in the field–luminaries like Tim O’Brien and Dirk Powell.

Over the last few years, musician, artist, and collaborator Nokosee Fields has proven himself to be one of the most provocative, significant, and capable voices in the North American traditional music scene. A quest for balance shapes his work, whether he’s reconciling the weight of tradition with his creative impulses; challenging the demands and vacuity of colonialist, capitalist structures and systems with the richness of his experience and upbringing as a member of the Osage, Creek and Cherokee Nations; or simply anchoring the beat in the rhythmic push and pull of the multiple bands in which he works.

Judy and Jeff w violin from 062 by Sara Tro.jpg

Old-Time Repertoire with Jeff Claus & Judy Hyman

Class Description

We’re excited and honored to return to AFS in 2023, this time to lead the repertoire class. We look forward to sharing, teaching, talking about, and playing with people some of our favorite tunes. Over the years we’ve been attracted to tunes for lots of different reasons, but some of the characteristics that seem to draw us in the most are: a good groove, rhythmic bowing and flow, droney fiddle tunings, a beautiful or quirky melody, the occasional bluesy inflection, a personal connection to the tune and/or its broader history, and tunes that allow us, ultimately, to make them our own. Hopefully, in this class, people will find some new tunes and techniques they’d like to include in their own repertoire and carry forward in their own way.

We’ll present tunes from a few different regions, mostly the southeastern U.S., and source players who are old and young, living and deceased. We’ll also include one or two of Judy’s originals. Some will be in standard tuning on the fiddle, and others will be in “open” tunings that make the music flow and ring in a way we love. We’ll talk about how we came to know or create the tunes, why they appeal to us, and in the case of the old ones, how they’ve likely changed in our hands. We’ll also discuss some of the many ways players can develop their own repertoire and voice.

To introduce each tune, we’ll briefly talk about it and play it for the group. Then we’ll teach it, starting with the melody, but also demonstrating some of the fiddle bowings, guitar chords and bass runs, and banjo uke techniques. But, because the class welcomes all instruments, we’ll focus a lot of our time on playing together as a group rather than offering detailed instrument-specific instruction. We’ll balance our time so we can move through a few tunes a day, while also giving you enough experience with each tune that you can continue your learning process after the week is over. So, please come prepared to PLAY as a group and have fun! Audio/video recording is, of course, welcome and recommended, as are bringing a tuner and some extra strings. We’re also happy to provide fiddlers and others with advance info about the tunings we’ll use.


Judy and Jeff have a deep and abiding love of Southern traditional fiddle music and have taught at many camps, schools, and festivals throughout the U.S. over many decades.

They’re co-founding members of the alt-folk-rock band, The Horse Flies (, about whom the New York Times wrote: “The Horse Flies have figured out how to hold a hoedown in a physics lab.” Rolling Stone said, “They churn out swirling, addictive songs, blending tradition with invention.” The Flies toured extensively in the U.S., Canada, and Europe; recorded 7 albums, including some on Rounder Records and MCA; appeared on a number of national radio and television programs (Prairie Home Companion, All Things Considered, Mountain Stage, eTown, MTV); and played a long list of festivals and concert series, including Central Park Summerstage, Telluride, Vancouver Folk, Winnipeg Folk, Festival of American Fiddle Tunes, and the Smithsonian Festival of American Folk Life.

Judy and Jeff have also created music for over 25 feature and documentary films (, including two with The Horse Flies. And, in 2020, they produced Jake Blount’s album, Spider Tales, which received strong reviews from NPR, Rolling Stone, No Depression, Paste, The Guardian, Billboard, and more.

Judy’s been featured in Fiddler Magazine, was selected as one of their top 20 fiddlers in 2013, and was commissioned to create a new waltz to celebrate their 25th anniversary in 2019. She’s honored that a number of prominent players have recorded her original tunes (e.g., Jake Blount, Tatiana Hargreaves and Allison de Groot, George Jackson, Rodney Miller, The Moon Shells). She’s toured and recorded with Natalie Merchant several times and appears on two of her albums. She released an album of her original waltzes, Late Last Summer, with her father, pianist Dick Hyman, and she received an Emmy award for one of her documentary film scores. Critics have described her playing as haunting, gorgeous, sepia-tone, stirring, powerful, rousing, playful, impressive, and beautiful. (

Jeff plays backup guitar and banjo ukulele, and is a devoted fan of rhythm, groove, and drone. He also writes songs and sings. He’s been written about in Acoustic Guitar magazine and has had his songs and music used by Natalie Merchant, film director Oliver Stone (in Any Given Sunday), MTV’s Rock the Vote, and in the film, Buck. In his film scoring work with Judy he both composes and engineers.


Southern String Band Repertoire with Mick & Evan Kinney

Take a deep dive into what makes that vintage old time sound, with wide ranging examples of classic artists such as Uncle Dave Macon's Fruit Jar Drinkers, Gid Tanner's Skillet Lickers, Dr Humphrey Bates & the Possum Hunters. In addition to learning some great tunes together, we will take time to focus on how each instrument specifically contributes to the group, as well as getting the right style, tone and texture. Welcome to all levels of traditional instruments and singers!

Mick & Evan Kinney

With their family band The Griddle Lickers, Mick and his son Evan are dedicated to the preservation and performance of Georgia old time tunes and songs. Being equally comfortable on fiddle, banjo, mandolin or guitar provides a relaxed atmosphere for learning, and they have been featured regularly at Alabama Folk School, Mars Hill Old Time Week, Swannanoa Gathering, Festival of American Fiddle Tunes and John C. Campbell Folk School.

2022-10-07 Alabama Folk School 0112.jpg

Gee's Bend Quilting with Mary Ann Pettway and China Pettway

The Gee’s Bend Workshops at the Alabama Folk School provide a rare opportunity for quilters of all levels to sew alongside two of Alabama's famed Gee's Bend Quilters. China Pettway and Mary Ann Pettway are available to assist with hand and machine-stitching, and share tips for creating in the style of the Gee's Bend tradition. While everyone works, they sing gospel style spirituals and tell stories from their lives in the community of Boykin, Alabama. Students bring works in progress or fabric scraps to start something new. Depending on skill level, students go home with some quilt blocks or a full pattern and many good memories.

Copy of Mary Ann Pettway 3.JPG

Mary Ann Pettway is the manager of the Gee's Bend Quilters Collective. She made her first quilt for the collective in the summer of 2005. The seventh of 12 children, Mary Ann Pettway was born and raised in Gee's Bend. After graduating high school in 1975, Mary Ann took college bookkeeping and accounting classes before working in a sewing factory for 20 years. Pettway is one of the lead singers of the Pleasant Grove Missionary Baptist Church and began quilting again after hearing about the trips the quilters of the community went on. "Before I started back to quilting, I was with (friend) Sabrina's grandmother Arlonzia a lot and heard about these trips they would go on (to other cities through The Quilts of Gee's Bend traveling exhibition.) So I told her, "I'm tired of hearing how good of a time y'all are having. I want to start having a good time too." So she told me, "well then start quilting!" And Mary Ann is, thankfully, still quilting today.

2022-10-07 Alabama Folk School 0105.jpg

In addition to being a famed quilter, China Pettway is one of Gee's Bend's leading gospel singers. Singing is her beloved hobby. She is one of the few Boykin locals who attended college and returned to live in the community. Now a home healthcare provider, Pettway enjoys working with the elderly. "I love my patients and I think they are the most sweet and beautiful people you can meet." China was taught to quilt by her mother, Leola, at the young age of eleven. "We had to quilt until ten at night. Then, she would let us stop and get to bed. That was every evening except Saturday and Sunday. I made my first quilt, it was a 'Star.' And I still have it,” she says. She and Mary Ann began teaching at the Alabama Folk School fifteen years ago.

Brady_Photo by Edward Badham (1).jpg

Blacksmithing with Brady Jackson

Brady Jackson was born and raised in Alabama and is a graduate of the University of Alabama. Brady has been a full-time professional blacksmith for ten years. With an educational background in archeology, he appreciates the intersection of form and function that is expressed in the blacksmith's craft. After managing an ornamental metal shop for 6 years, Brady opened his own shop, Jackson Forge, in Birmingham Alabama, specializing in forged architectural work in steel and bronze.


Beginning Basketry with Sarah Bell

Beginning Basketry with Kudzu and other foraged plants

In this beginning basketry class, you will learn how to weave and shape two different functional baskets using kudzu and other vines. We will go over how to identify and sustainably forage and harvest wild vines and use the foraged material to create strong and beautiful baskets. No previous basketry experience is required. All are welcome.

Sarah Bell is a fiber artist, sculptor, and farmer based in Birmingham, Alabama. She is inspired by the beauty of the Deep South and the people who honor it. She is greatly influenced and inspired by the use of natural and sustainable materials, as well as ancient craft processes and farming techniques that interweave into her daily engagement with land, materiality, and its impermanence.


Foraging & Herbal Medicine with Cameron Strouss

In the Foraging section of the class we will cover best foraging practices, resources, and supplies, when to harvest what parts of the plants, and more.

In the Herbalism primer we will cover types of herbalism, educational resources, the history of herbalism in the US, herbal energetics, effective herbal dosing, and introduce important vocabulary and concepts, as well as introducing the 12 tastes of herbs.

In the Herbal preparations portion of the course we will cover types of herbal extracts and administration, when to use which types of extractions, and the bioavailability of those extractions.

We will taste smell, and experience many herbal preparations over the course of the class in addition to going on a couple of herb walks to round out your introduction!

Cameron is an herbalist, medicine maker, wildcrafter, and teacher dedicated to educating and empowering people in reclaiming health, community, and connection to the land through herbal medicine and primitive skills. She is the owner and founder of Deep Roots School of Foraging and Herbal Medicine and has been formally studying herbal medicine for a decade. She has over 4,000 hours of Sciences and Herbal Education under her belt along with 7 years of clinical work, professional foraging, and formulating experience. Cameron is a graduate of the University of Montevallo (with a Biology Degree), the Southeastern Institute for Traditional Herbal Studies and The Eclectic School of Herbal Medicine with her Clinical Herbal Certification and has been awarded her FH and RH (AHG).